I messed up. Somehow, I failed to click the one little button that made Until All The Gods Return available on Kindle Unlimited at its launch. I have corrected that now, but Amazon takes a while to process it. If you were looking for that particular option, please be patient. It’s coming!
If you’ve been following along on the weekly reveals, you’ll be happy to know that you can now read chapter four of Until All The Gods Return right here. Jamana says farewell (for now) to his mysterious traveling companion, and then runs right into some very familiar faces…
Less than a week remains until the book launches next Tuesday! And here’s big news: all next week, May 24-28, the first book in the series, Until All Curses Are Lifted, will be absolutely FREE to download and read on Kindle! Yes, free! Am I out of my mind? Maybe. But you should still take advantage of this, and tell everyone you know. Here’s a handy graphic:
Until All The Gods Return releases on May 25.
Jamana meets an unusual traveling companion, who may be far more than he seems.
The first chapter of Until All The Gods Return, book 3 in the Heart of Fire series, is now available for your reading pleasure right here.
Jamana discovers he doesn’t want to be part of an event, but leaving may not be so easy.
I promised it last year, and it’s finally here.
I’ve written a short story tie-in with Viridia and the Dragontek Lore series. The character Richard Onyx shows up out of nowhere in chapter one of Viridia. He’s reluctant to speak about his past, though he admits to being part of a previous rebellion in the city of Atramentous.
This is the story of Rick’s final day in Atramentous. The end of one rebellion and the beginning of a new one. Before he can leave Atramentous, Rick must deal with the deadly wrath of the draconic, Naram-Sin Black…
There’s only one way to read this story, along with the Heart of Fire tie-in story, The Leper’s Second Kill. Sign up for my newsletter! Not only will you get links to both of those stories, but you’ll be able to keep up with all of my news about writing and other stuff, and you’ll get regular special offers for other books! What have you got to lose? Sign up now!
Just a quick note here. Today, I finished writing the first draft of Incarnadine, book two of the Dragontek Lore series! I think fans of Beryl and his dragon-fighting team will enjoy this second (absolutely bonkers) journey into the cities of The Circle.
That means I currently have two books in the editing process! Until All the Gods Return is getting closer to the completion of that step, and I’m hoping to release it in May. (Psst. The cover is awesome!)
What will I write tomorrow? I have that short story tie-in for Dragontek Lore that I really, really need to finish. Why do short stories take me longer than novels?
And I need to plot out the fourth and final book of Heart of Fire before I start actually writing it. So much to do!
When writers discuss how they write, the question often comes up: “Are you a plotter or a pantser?” In other words, do you plot/plan out a book before writing it, or do you just write “by the seat of your pants” and see what happens?
In my case, the answer is: Yes. Both. Let me explain…
For the Heart of Fire series, I have a rough plot outline. I’ve known from the start how each book ends (Yes, I know how the last book ends!), and some of the major moments along the way. Then I’ve connected those dots, like “Marshal needs to travel to this spot, while Seri does this, and that will lead into this, etc.” At the same time, there is plenty of room in between plot points for subplots, character moments, and so on.
For the Dragontek Lore series, things are different. The characters drive the entire story, for the most part. I know where I want the book to end, but I don’t have a set pathway to get there. Instead, I let things happen as they will. Basically, it comes down to two questions:
- What unexpected (but logical) thing could happen here?
- How will this character react to it?
Question one comes into play when I’m not sure what should happen next. For example, in Viridia, the characters started to get complacent in their hideout. The story could be in danger of getting static, which is not allowed in these books. So what unexpected thing could happen? The bad guys find their hideout. Oops. And then how will each character react to this happening, both the heroes and the antagonist? This led to a pretty spectacular action sequence, in my humble opinion.
Now note that the “unexpected thing” wasn’t entirely unexpected. It was a logical outcome. The bad guys were looking for their hideout already. But the timing of the discovery was unexpected, at least to the heroes.
Anything can lead to new story elements. In the current book, Incarnadine, I’m writing a sequence of scenes where the heroes are exploring a new (forbidden) location. There are guards and locks keeping them from exploring areas that might be more interesting. Then they come across a locked elevator.
Logically, these particular characters, with their unique abilities, could pry open the elevator doors and climb the shaft. Now would they do it? That’s where I have to let the characters decide. Based on what I know of these particular characters, would they do this? They may debate it among themselves, because they don’t all agree. Then, based on what I know of these characters, who makes the final decision? What is it? (You’ll have to wait for the book to find out.)
Now if this character climbs the elevator shaft, what will be discovered there? I don’t entirely know yet, but I have some ideas based on this world and the people who are running this location.
This is discovery writing. I’m not so much “writing by the seat of my pants” as I am following the logical outgrowths of this world, its characters, and previous events. I didn’t KNOW the question of climbing the elevator shaft would come up until I was actually there. I discovered the situation as it happened.
If this sounds utterly bizarre to you… welcome to the mind of a writer…